Spaghetti Junction Risograph Print — Caught in the Middle
£15.00
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Spaghetti Junction Risograph Print — Caught in the Middle
£15.00
3 FOR 2 ON ALL RISOGRAPH PRINTS
A3 Risograph Print with border
Print Size: 30cm x 42cm (A3)
Print Style: Black and White Risograph
Paper Style: Heavy weight textured cream
Sold unframed and posted in a tube
Based on my original photograpy
Real printed artwork without the gallery price
Low-impact printing with soy-based inks
Grain and textures perfect for Brutalism
Artisan printed in the UK
SHIPPING + RETURNS
Shipping
All Spaceplay prints are posted within 14 days.
All orders are sent using a tracked postal service, and you’ll receive tracking details once your model has been posted.
UK orders usually arrive within 3 working days after posting. International orders usually arrive within 8 working days after posting, although customs and local postal services can sometimes cause delays.
If you need your order for a specific date, please let me know after ordering and I’ll do my best to help.
UK customers can also select Express Shipping at checkout to have their print posted within 7 days.
Returns
You can return unused and undamaged items within 30 days of delivery for a refund, excluding return postage costs.
If your model arrives damaged, faulty, or incorrect, please email me within 14 days of delivery with your order number and photos of the issue. I’ll arrange a free replacement to be made and posted to you.
Building Information
My Risograph Prints
I often go hunting for Brutalist buildings and photograph them wherever I can get to them — car parks, bus stations, university towers, housing estates. Some of the ones in this collection have already been demolished.
Photographing them is how I collect them; printing them is how I share them.
I think Risograph suits concrete. It's a stencil process: soy-based ink pushed through a drum one layer at a time, soaking into the paper rather than sitting on top of it in a glossy film. You get grain, texture and gorgeous matte blacks, and small variations from one print to the next that mean no two are quite identical. I think this makes it look and feel more like concrete.
Every print is produced with an independent artisan printer here in the UK, on 170gsm Munken Pure Rough Premium paper. The soy-based inks replace petroleum ones — lower in solvents, easier to recycle — and the press needs no heat to fuse them, so it draws a fraction of the power of a laser machine. This makes all of my prints affordable and eco-friendly.
